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Wednesday, 6 January 2016

OPRÅB FRA SPELT FAMILIERNE: De oversete, købestærke forbrugere.

Danskerne køber mere økologisk, og bruger mere alternativ medicin end nogensinde før. Vi går op i tilsætningsstoffer og kemikalier, og betaler ekstra for de varer der er uden. Vi drømmer om bofællesskaber med fokus på miljøvenlighed og og økologi, med fællesspisning og god plads til fritid og vores børn. Vi prioriterer sundhed og livsglæde højt på vores købestærke budgetter, og alligevel skal vi grines af og udstilles, som i DR2’s TEMA ’de perfekte mødre’. Det er som om at vi ikke opfører os som ordenlige forbrugere, og der caters kun modvilligt til vores pengepung.

Jeg er universitetsuddannet homøopat. Jeg tog min uddannelse i London, da jeg var midt i livet. Inden jeg blev homøopat, var jeg trendforecaster og arbejdede med forbrug. Jeg prøvede at manipulere dig til at bruge flere penge når du stod i butikken, og jeg prøvede at regne ud hvordan vi bedst kunne får fat i de penge kom til at tjene i fremtiden også. Jeg tog på arbejde hver dag for finde snedige metoder til at få dig til at forbruge mere. Men efter en personlig tragedie, føltes dette arbejde hult og meningsløst, så jeg sadlede om efter en længere tænkepause. Og da jeg begyndte på det ambitiøse 4 årige studie i homøopati, virkede dette valg fuldstændigt logisk, selv med mine trendforecastingsbriller på.

Jeg boede på dette tidspunkt i velhaverkvarteret Chelsea i London. Her bor fodboldspillere, franske forretningsmænd og deres tynde koner, trust fund babies, Mr. Bean, Kylie Minoge også sådan nogle som os: Den ambitiøse, akademiske mellemklasse med fede jobs eller succesfulde selvstændige virksomheder. Vores børn gik i privatskoler, vi havde personlige trænere, fik ordnet negle, fik supermarkedvarerne leveret til døren og ejede en feriebolig. Vi var i høj grad forbrugere og det forbrug der altid var undskyldt, var det der påvirkede vores sundhed: Det blev aldrig diskuteret om varerne skulle være økologiske og det blev aldrig diskuteret vi skulle have de der dyre kosttilskud eller ej. Vi havde en fuldstændig logisk indstilling til at vores mad skulle være sundt, vores omgivelser skulle være kemifrie og vores foretrukne medicin rakte langt bredere end det gratis offentlige tilbud.

Her levede jeg på alle måder det liv jeg vile observere som trendforecaster, for at få en ide om hvad fremtiden vil bringe. Og det er med stor undren at jeg ikke ser denne trend, med hang til en alternativ livsstil, udmalket noget mere. Tværdimod, det er en trend der modarbejdes og ignoreres, lige indtil den ikke kan undgås mere.

Jeg har aldrig helt rigtigt kunne forstå hvorfor de velkendte varer fra helsen, tager så langt tid om at finde vej ind på supermarkeders hylder, selv efter verdens største Tesco (den supermarkedkæde i England, hvor hvert 8. beskattede pund forbruges) intergrerede en hel helskostbutik i deres gennemanalyserede kvadratmeter. Jeg forstår ikke modarbejdelsen af evidenbaseret alternativ medicin. Jeg forstår ikke håndteringen af vores børns uddannelser. Og det mest utrolige er at vi er så mange der har det på samme måde, og at vi helt åbenlyst er en voksende gruppe af mennesker. Det er os der får salget af økologi til at stige i dagligvarebutikkerne. Det er os der bliver trætte af lægen og bruger beskattede penge på dyre alternative behandlingsformer, et forbrug der stiger med cirka 6% om året.
Og vi er skam også kloge nok til at se og forstå at vores politikere i dag sidder og fedter for nogle grådige kapitalister, der leverer varer til et døende marked, alt imens de købestærke forbrugere, nu og i fremtiden, bliver overset i griskhedens navn.
Det eneste der tæller er næste års budget, alt i mens vi sidder en masse her og bekymrer os om de næste generationer. Men det er som om vi er blevet en slags undergrund. Et parrael samfund hvor vi gladelig smitter vores uvaccinerede børn med mæslinger, spiser vores moderkager, ignorer rådet fra egen læge om vaccine og medicin, og vel at mærke betaler klækkeligt for fornøjelsen.

Vi drømmer om et liv med mere fritid, mindre stress, mindre forbrug, mere samvær, mere alternativ medicin og mere økologi. Vi vil have gode, naturlige fødseler, god tid hos lægen, god mad til de gamle, lærere med overskud til vores børn og rummelighed overfor flygtninge. Og det som måske er svært at se udefra er, at når man først har fået det sådan, så vender man ikke tilbage til de gamle forbrugsværdier igen. Det er som en kontakt der ikke kan klikkes tilbage, så vi bliver flere hele tiden. Og vi er forbrugere, borgere og stemmeberettigede.

Men hvor skal pengene komme fra til denne forkælede livsstil spørger politikeren så helt sikkert?
Jo nu skal du høre her: Skær ned på forsvars budgettet. Lad de internationale virksomheder betale den skat de burde. Send de kronisk syge til behandere der kan gøre dem raske og giv plads til iværksættere. Det som i gør nu, er at hælde penge ned i et endeløst hul. En krig der aldrig stopper. Et sundhedsvæsen der gør os mere syge. Kontanthjælpsmodtagere er er passificerede.

Vi er sådan set allerede i gang, og jo før vores politikere og indutrier ser det, jo mindre benspænd vil de opleve og jo bedre vil deres omsætning blive.

Med mine gamle trendforecastingsbriller på kan jeg se det kæmpestore oversete hul i markedet, som ingen rigtigt forstår at tage alvorligt. Et marked som langt fra er færdigt med at vokse. Og vi klarer os jo. Vi har vores egen systemer hvor vi informerer hinanden. Men det er fandme synd og skam. For skal vi virkeligt flytte noget, så skal vi løfte i flok, dvs forbrugere, politikere og industrien sammen. Og forbrugeren er klar, også må vi bare vente på industrien og vores politikere bliver det samme.

Hilsen, Mette Mitchell 

Sunday, 1 June 2014

Hipster apple mac cables!

So I got a new obsession!

Over the spring I hardly used my living room. I sat in the glass room/ gallery every night and ignored my cosy sofa completely. So one day I was home alone (my daughter stayed at my mum's), then I walked into the living room and asked myself, what I could do to improve this room. And the first thing that came to my mind, was all the white mac-cables that were just everywhere! And I felt how sick of it I was.
I am a loyal mac-user! All my products are mac, I love them, I really do! But its also just a little too much.. especially when I started to notice the stupid white cables that were just everywhere! So I decided the best thing I could do for my living room, was to do something about that... and now it is a dirty paper project too. And you can buy them from me, overpriced obviously. Its not hard to do at all, its just a little time consuming. So if you can't be bothered yourself, I will do it for you!

More pictures to be uploaded soon!

Visit my Facebook page for more pictures and prices: https://www.facebook.com/dirtypapersocial



Friday, 31 January 2014

Poetry #2


"Fear me" I say
"I am loosing my mind"
You smile
and congratulate me
"It's good so" you say
"I was worried, I couldn't see you"

Tuesday, 14 January 2014

You are my sunshine...

I have a love-hate relationship with clichés. I love them because they always hold some kind of truth. You will have to wonder why some things are being experienced and said over and over again. It can only be because so many people feel the same thing.

But clichés can also really piss me off. And it is when they are just fired off as the final proof of something, without further thought or consideration. It is so lazy to just fire off a cliché, bordering the ignorant. And I have a bad habit of turning clichés upside down, just out of interest, just to explore. And it can make me really annoying to work with.

For instance, when I worked in interior design, then I would hear this quote over and over again: "white walls makes rooms bigger". And I would actually challenge my colleagues to measure up a room that was white, then paint it a different colour and measure it again. Annoying, I know! But I developed at set of rules for interiors purposes, of where to add colour or wallpaper, in order to make the rooms look even bigger than with white walls, and it worked (thumb rule: add colour to walls that frame the complete layout of a flat/ house/ shop/ space (so no internal walls that separate rooms inside the space), and preferably walls that has no windows or doors. And on those walls, you can go really bold). But before I get too nerdy, then let me explain why…

I like my mind to be challenged. I like my mind to feel provoked. I like to see something that pushes my sense of perception. It tickles the old punk in me and reminds me of my youth, and wakes me from the sleepy state of being middle-aged. And I am grateful for whoever will do that to me. 

Like this interpretation of 'You are my sunshine'. It may not tinkle my peace or help me dwell, but it is performed with such craftsmanship, intelligence and personality that it makes me want to roar. And that is the very juice of life for me! You can see it here for yourself:


-and of course then I can't roar all the time. And sometimes, well most of the time, then I like to hang on my sofa, with candle lights, the sweet smell of incense and a romcom recommended to me by Netflix… I have always been a sucker for diversity too…


Sunday, 12 January 2014

The paint bin...

I picked up this beautiful piece of wood from the trash on The Kings Road in London. It had holes drilled into it, to hold tea lights, and that made it a little tacky looking…. but there was something about the wood that I liked. So I grabbed it, not really knowing what I would need it for.

And it has been around a little. First it moved around in the house a little. Then it got stored in the attic. And then I took it to our summerhouse where is was just standing outside, slowly being consumed by nature in true wabi wabi style. But when I moved into the new flat, here in Denmark, then I took it into my studio, where it was standing around: not really that pretty, but also too nice to throw away.

Then my daughter and I started painting, and we were a little too generous with the paint on our palettes. So one day we just started painting the woody thing with left over paint, and took a principal decision to always do so. And so it became our paint bin and a constant changing piece of art, that both of us work on, and great picture of impermanence, changed by circumstances that has nothing to do with it. And so it has become a treasured and interesting piece in our joint lives here. And we love it for it!


Saturday, 11 January 2014

Weekend poetry


If Love is all there is
Then you are rich
Your harvest is big
Your crop has been successful
Everytime you blink
With every heartbeat
and breath
Your fortune grows

Thursday, 9 January 2014

Wabi sabi

Wabi-sabi is relevant because we are living in a predictable world. It is getting boring. We all know what is going to happen next and what things are going to look like. Pretty much!

If you want to be current and get some attention for yourself, then it would be good if you could be a little bit more unpredictable and surprise your audience. That is if you dare of course!

This is the most famous quote explaining wabi-sabi and it is by 
Leonard Koren:

"Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional.” 

Wabi-sabi is a Japanese aesthetics that is so sophisticated and complex that you can hardly get a Japanese friend to explain it to you. When I asked friends in Japan to explain it to me, then they were looking nervously around for assistance from others, and the normally helpful and friendly colleagues would simply turn away and look busy to avoid the conversation. (Which should give me second thoughts writing this I guess).

My knowledge on wabi-sab is hardly touching the surface and all I understand is that it has many layers and so many different interpretations. It is complex and yet I think it is simple and very very beautiful.

The first explanation I had about wabi-sabi from a Japanese friend goes like this:



"Imagine the tea ceremony room. The tea ceremony room has tatami mats and a wall with a couple of shelves for decorative items and a calligraphy with a painting. Now imagine the painting is gone, but you know the painting was supposed to be there. Your mind can't help imagining the painting even though it is gone. That is wabi-sabi."


WABI-SABI AND DESIGN
When designing wabi-sabi-style then you wont have a technical drawing or even a sketch, but you will be working from pure skill and experience. You will just have the idea of making something, lets say a bowl. You will make the shape of the bowl, not so much to look exactly as the one you made before. It will be similar for sure but the differences will be obvious, because you let yourself be guided by the moment in time and the immediate circumstances.

Maybe your cup will sink to one side while you are leaving it to dry and you will appreciate this flaw as beautiful.

When the tea cup is ready to be glazed then you will look closely at the shape of the cup and make what looks like accidental splatter, not a motif, not a colour, not a pattern. Just what you think this cup invited you to do. Every cup will be different from the other, representing their own beauty and always challenging the mind to explore and look closer.






WABI SABI AND UP-CYCLING

In wabi-sabi it has also been a long tradition to re-use things and make them into something else. One famous example is the tatami floors, an original wabi-sabi design. Tatami matts are made from the otherwise useless left over straw from rice. But if you take the time to stitch the straws together and finish the edges with fabric then you will find your self with a beautiful tatami matt. A worthless material has become something precious.

In wabi-sabi you will also find that doors becomes tables and fishing traps that becomes lamp shades. Wabi-sabi allows you to look at every object with an unlimited mind so you can see something new every time you look.
 


WABI-SABI AND NATURE
Wabi-sabi lovers also loves watching nature changing things and adding patina. Like rust on iron, moss growing on stone, water shaping wood and so on. Nothing can stay here forever and the process of 'disintegrantion' is beautiful to watch. 


WABI-SABI AND CREATIVITY
I think that wabi-sabi is such an exciting way to twist things when we want to challenge our mind and creativity. In wabi-sabi there is always room for interpretation, you could even say that nothing is wabi-sabi until your own mind has added to the design through your imagination.

This is so far from the conceptual thinking we have been trained to do over the past 10-15 years. We have taught ourselves that there must be no room left for interpretation when we communicate a concept or a brand. Customers must understand what we want them to understand. And where it is true that a well defined concept makes it easier to handle communication on all levels then maybe time has moved on and away from this predictable and structured way of thinking. Maybe we have simply been trained too well as customers. And maybe it is time for any concept to ask these questions; 
Are we predictable? Are we boring? Have we become plain lazy? Is there a danger of us becoming old fashioned?


MODERN WABI-SABI
So where do you see wabi-sabi used today? The most obvious place to look is in the bread market stall where each bread looks different as opposed to the bread you find in the supermarket. Isn't part of the appeal of breads in the market stall that they look different?

The shop 
Anthropologie is great example for a more conceptual integration of wabi sabi. They use antique display units they do up for each individual shop, making for an interesting and personal shopping experience. It is one of the most interesting shop concepts around in the moment.

But also, if you visit a website where the website suddenly does something you would not expect it to do. Something surprising, something that engage you, then it could be wabi-sabi inspired. It could be a little cute bug that starts crawling across the page, without motivation from the user. Or like 
this website that invites you to have a little play with the menu on this website. You will probably be inspired to make a little tune, something that you will never be able to hear again, but never the less you will have a beautiful little moment. An impermanent moment.

It is worth noting that wabi-sabi hardly comes cheap. Wabi-sabi will always add to the value of any product, because it is unique and considered. When Anthropologie does up old furniture for their display, then it is not saving them money on the design. They do it because it appeals to their customer.

Wabi-sabi moves you because it engages you. The un-expected is attractive because we live in a predictable world. The exclusive event is important because it makes us feel special.

If you want to read more about wabi-sabi then I suggest this beautiful and easy to understand book by Leonard Koren, called "wabi-sabi for Artists, Designers, Poets & Philosophers", you can see it and order it by 
clicking here.